It’s so much easier to tell you what doesn’t interest me in a story. The characters can draw me into the story but to keep me there the pacing better be fast forward much of the time. I don’t like huge amounts of setting and description just enough that I can picture the scene and see the characters.
Another thing I don’t like is pages of introspection. Thoughts can be boring unless it pertains to what is going on in the story. Something else I detest is reading about gratuitous sex. It’s boring, and I’ll skim through the scene so fast your head would spin. If the scene requires a love scene, then I’m all for it and if it’s a good one I’ll read it.
Something else I don’t like is the same old plot. How many times do you want to read about runaway brides, women with babies their spouses, boyfriends, etc., don’t know about, navy seals and on and on. What is wrong with writers? They read a story they like about a hero/heroine and they decide to write the same story with the very same characters. After a while it gets boring. Please come up with something new.
For instance, why can’t the hero be a soldier, sailor, marine, or someone ordinary instead of a navy seal, special ops, CIA, FBI, or mercenary? I have to admit here that I’ve done the very same thing, but the ordinary men and women in our military are brave heroes, too. It is only right to portray them as such instead of ignore them for what we think are more high profile characters.
Okay, I am going to get to what I want in a story. I want to read something with meat and potatoes to it. First, I want a hook, and I want emotion. This requires real depth to the characters and to the plot. I want to live what those characters are living and I want the plot to be believable. I want to care about those characters.
A story is good if it gives me something to think about, makes me keep reading until it is finished, and then stays in my mind for weeks, months and years. I remember the premise of a story I read years ago, but I don’t remember the title of the book. It was about survival, the people lived below ground because the air above was tainted, but there were those who survived above ground. They wanted to go underground, but the ones who were already there wouldn’t allow them to come down because they were contaminated. This could have been a movie, too, but whatever it was it always stuck with me.
The story had a great beginning (hook) and it only grew from there as there was fighting between the two groups. The conflict started immediately, it intensified and with a plausible plot that could happen in real life the story held my attention to the end. There was even a love story.
Tell me what you want in a book.
Sandy
http://www.skaymarshall.com
Showing posts with label emotion. Show all posts
Showing posts with label emotion. Show all posts
Wednesday, September 9, 2009
Monday, September 7, 2009
With Love, from Ms. Blush
Hello to you all wonderful, beautiful people!
We launched off into September with a really swift kick to the backside, touching upon an almost taboo question in the writing and publishing world today: where have all the good stories gone?
Is it a wonder then how many of us as readers are falling back on books written one or even two decades ago? Why, when there's so much writing and books and ebooks and new authors popping up everyday in the world and in cyberspace?
Last week, we attempted to answer that loaded question from a the angle of characterisation - how good characters maketh a good, memorable and lasting-impression story.
This week, we continue to try to find answers to this dilemma.
Catch T.J. on Tuesday as she tells us how she feels emotional drive is totally, absolutely missing in most stories today. She also asks us what we feel is lacking in stories today - are we up for grabbing good emotional drive or just mindless sex?
Sandra Marshall pens us her monthly point-of-view piece on Wednesday. Find out what she has to say about what attracts, retains, and repulses her from books. She tells us what a good story is for her as a reader.
On Thursday, catch another of Z(Aasiyah/Nolwynn)'s endless rambles on the current topic. This week, she talks about the dwindling collective imagination of this bizarre species called writers.
Don't forget:
This September, we want to go back to the roots of what makes writing, and reading, such a life-changing experience.
This September, we're on the quest:
Searching for a good story...
The best of us for the best of you, that's our promise as we deliver the full flush of romance.
From now till later, enjoy!
With love, from Ms. Blush
We launched off into September with a really swift kick to the backside, touching upon an almost taboo question in the writing and publishing world today: where have all the good stories gone?
Is it a wonder then how many of us as readers are falling back on books written one or even two decades ago? Why, when there's so much writing and books and ebooks and new authors popping up everyday in the world and in cyberspace?
Last week, we attempted to answer that loaded question from a the angle of characterisation - how good characters maketh a good, memorable and lasting-impression story.
This week, we continue to try to find answers to this dilemma.
Catch T.J. on Tuesday as she tells us how she feels emotional drive is totally, absolutely missing in most stories today. She also asks us what we feel is lacking in stories today - are we up for grabbing good emotional drive or just mindless sex?
Sandra Marshall pens us her monthly point-of-view piece on Wednesday. Find out what she has to say about what attracts, retains, and repulses her from books. She tells us what a good story is for her as a reader.
On Thursday, catch another of Z(Aasiyah/Nolwynn)'s endless rambles on the current topic. This week, she talks about the dwindling collective imagination of this bizarre species called writers.
Don't forget:
This September, we want to go back to the roots of what makes writing, and reading, such a life-changing experience.
This September, we're on the quest:
Searching for a good story...
The best of us for the best of you, that's our promise as we deliver the full flush of romance.
From now till later, enjoy!
With love, from Ms. Blush
Thursday, August 20, 2009
Tense, more tense, even more tense...
... leads to strung rope that may break at any minute!
I was wondering what angle to talk about today when I went over to the blog and reread T.J's post for the week. Yes, she inspires me, in more ways than one, but for today I'll focus on her post about ambition.
One day, she asked me, what's your ambition? After lots of hollering and screaming and a few knocks to my hard skull, I finally understood what she asked - where did I want to be in say, five years, and what do I want people to be saying about me?
At that time, I had been struggling with finding my way in the writing world. I had found my 'voice'; I knew how to write (and that meant, and still means, drafts and writes and rewrites and countless edits); I had ideas for stories and was starting to come out of the cliche fold.
And, lo and behold, guess what was hot, hot, hot back then? You got it - erotica!
Now I knew I couldn't write direct, in-your-face erotica. Growing up in an Indian/traditional/Muslim set-up, you do tend to view sex as a prude, like what if my mother and all the aunts suddenly came over my shoulder and peeked at the screen? *shiver* It's ingrained inside of you. So there we go - sex is all the terrific thing that's going on in the writing world. I thought, let me try, even if I won't be writing the sequel to Basic Instinct any time soon!
I put pen to paper (fingers to keyboard). Got my story, spun it on itself, got the cliche out, grabbed the characters and fleshed them, with a solid backstory and impact moment, and yes, I had a plot in there. The spin was, it was erotic in nature. I wrote the story. Some solid, at-least-3-pages long sex scenes in a 22K short. It got good raves from my CPs, even from my mentor. I was even on the brink of having it published when the pub house it was going to closed because the owner was facing health issues. So I submitted the story to other places, it was even accepted.
But then I didn't have it published. It still sits on my hard disk today. Why?
Because that story was good but it wasn't me. Erotica isn't me, because I write sex as part of the character's journey, not just for the sake of sexing it up. At around that same time, I penned another ms, 25K, very hot, lots of sex, and with a plot too! But again, it sits there.
It's not that these stories were too hot. It's not that they didn't hold the line, or weren't good, or were just sex scenes strung together. It's that - they're not me!
I come back to the question T.J. had asked me - what's my ambition? And the answer I remember giving her in the end was - to be known for the strong stories and fully-fleshed characters I create.
Sex may be a part of it, but it isn't the be-all and end-all of it.
So I come to the question that plagues all writers who at some point of another, reflect upon this question in view of writing for the market or writing what their heart tells them to write - Is sex necessary? (If they don't reflect on this, they should!)
My answer would be, sex is as necessary to your story as it is necessary to the people making this story. In real life, two people don't just keep ripping all their clothes off the minute they're together (clothes cost money too, guys. They'd need to buy a new wardrobe everyday unless they join a nudist colony). Two people cannot just burn down the sheets every single time they get together (sometimes they'll just rumple those sheets!). A man cannot simply be having sex like a rabbit all the time (unless he's pumped up on Viagra and that too is a health hazard!). A woman also needs to start buying stocks in a panty-liner-making company if all she does is wet her panties all the time!
The point is, real people do not have sex like that (if they tell you they do, take it with a grain of salt!). So why then would the people, the 'real people' you want to portray in your story, act so illogically where sex is concerned?
As a writer, you need to think. Think it all through. How would such a person act in real life? What would he/she do or think? How would he/she act/react? That's the mark of getting good, 'real' characterization down, and if you do this well, then you'll be writing well and strong too. Whichever way you cut it, a story is about a plot and the plot is brought to life by the characters. It's no different for erotica, erotic romance, or just a sex scene in your mainstream work.
So next time you'll be writing, stop for a minute and think. Where do YOU want to be in five years? How do you want people to know you? And for the right here right now, what are your characters about, what are they like? And how do they have sex?
Pen down a few answers, and you should see the path. Hopefully, it won't be a tight-strung rope that you may just bounce off and land in the middle of nowhere when you try to step on it.
In my mss mentioned here, I first let myself down, beacuse I didn't stop and think and just thought to place some sex scenes in. I let my characters down, because I made them think with their crotches and not with their mind and ultimately, their heart. Why their heart? Because sex and all that leads to it is also a question of feelings and emotions. Think of the tension before that first kiss, the sizzle of recognition and longing when your gaze crosses that of the person who makes your body temperature go up by ten degrees in the blink of a second, the rush of feeling down your spine when the first touch lands on your skin, or when the heated, passion-darkened gaze of your lover roams over you, creating that almost magical, intangible link that will not sever until after the fires have been doused?
Think, people, think!
Any questions, just holler!
Aasiyah Qamar - Cultural Romantic Fiction, With a Twist
Coming out October 2 - Light My World - Eirelander Publishing
Nolwynn Ardennes - The Promise of Fulfilment
Coming out in January 8, 2010 - Storms in a Shot Glass - Eirelander Publishing
Aasiyah Qamar/Nolwynn Ardennes - Romance the world over
http://www.aasiyah-nolwynn.webs.com/
I was wondering what angle to talk about today when I went over to the blog and reread T.J's post for the week. Yes, she inspires me, in more ways than one, but for today I'll focus on her post about ambition.
One day, she asked me, what's your ambition? After lots of hollering and screaming and a few knocks to my hard skull, I finally understood what she asked - where did I want to be in say, five years, and what do I want people to be saying about me?
At that time, I had been struggling with finding my way in the writing world. I had found my 'voice'; I knew how to write (and that meant, and still means, drafts and writes and rewrites and countless edits); I had ideas for stories and was starting to come out of the cliche fold.
And, lo and behold, guess what was hot, hot, hot back then? You got it - erotica!
Now I knew I couldn't write direct, in-your-face erotica. Growing up in an Indian/traditional/Muslim set-up, you do tend to view sex as a prude, like what if my mother and all the aunts suddenly came over my shoulder and peeked at the screen? *shiver* It's ingrained inside of you. So there we go - sex is all the terrific thing that's going on in the writing world. I thought, let me try, even if I won't be writing the sequel to Basic Instinct any time soon!
I put pen to paper (fingers to keyboard). Got my story, spun it on itself, got the cliche out, grabbed the characters and fleshed them, with a solid backstory and impact moment, and yes, I had a plot in there. The spin was, it was erotic in nature. I wrote the story. Some solid, at-least-3-pages long sex scenes in a 22K short. It got good raves from my CPs, even from my mentor. I was even on the brink of having it published when the pub house it was going to closed because the owner was facing health issues. So I submitted the story to other places, it was even accepted.
But then I didn't have it published. It still sits on my hard disk today. Why?
Because that story was good but it wasn't me. Erotica isn't me, because I write sex as part of the character's journey, not just for the sake of sexing it up. At around that same time, I penned another ms, 25K, very hot, lots of sex, and with a plot too! But again, it sits there.
It's not that these stories were too hot. It's not that they didn't hold the line, or weren't good, or were just sex scenes strung together. It's that - they're not me!
I come back to the question T.J. had asked me - what's my ambition? And the answer I remember giving her in the end was - to be known for the strong stories and fully-fleshed characters I create.
Sex may be a part of it, but it isn't the be-all and end-all of it.
So I come to the question that plagues all writers who at some point of another, reflect upon this question in view of writing for the market or writing what their heart tells them to write - Is sex necessary? (If they don't reflect on this, they should!)
My answer would be, sex is as necessary to your story as it is necessary to the people making this story. In real life, two people don't just keep ripping all their clothes off the minute they're together (clothes cost money too, guys. They'd need to buy a new wardrobe everyday unless they join a nudist colony). Two people cannot just burn down the sheets every single time they get together (sometimes they'll just rumple those sheets!). A man cannot simply be having sex like a rabbit all the time (unless he's pumped up on Viagra and that too is a health hazard!). A woman also needs to start buying stocks in a panty-liner-making company if all she does is wet her panties all the time!
The point is, real people do not have sex like that (if they tell you they do, take it with a grain of salt!). So why then would the people, the 'real people' you want to portray in your story, act so illogically where sex is concerned?
As a writer, you need to think. Think it all through. How would such a person act in real life? What would he/she do or think? How would he/she act/react? That's the mark of getting good, 'real' characterization down, and if you do this well, then you'll be writing well and strong too. Whichever way you cut it, a story is about a plot and the plot is brought to life by the characters. It's no different for erotica, erotic romance, or just a sex scene in your mainstream work.
So next time you'll be writing, stop for a minute and think. Where do YOU want to be in five years? How do you want people to know you? And for the right here right now, what are your characters about, what are they like? And how do they have sex?
Pen down a few answers, and you should see the path. Hopefully, it won't be a tight-strung rope that you may just bounce off and land in the middle of nowhere when you try to step on it.
In my mss mentioned here, I first let myself down, beacuse I didn't stop and think and just thought to place some sex scenes in. I let my characters down, because I made them think with their crotches and not with their mind and ultimately, their heart. Why their heart? Because sex and all that leads to it is also a question of feelings and emotions. Think of the tension before that first kiss, the sizzle of recognition and longing when your gaze crosses that of the person who makes your body temperature go up by ten degrees in the blink of a second, the rush of feeling down your spine when the first touch lands on your skin, or when the heated, passion-darkened gaze of your lover roams over you, creating that almost magical, intangible link that will not sever until after the fires have been doused?
Think, people, think!
Any questions, just holler!
Aasiyah Qamar - Cultural Romantic Fiction, With a Twist
Coming out October 2 - Light My World - Eirelander Publishing
Nolwynn Ardennes - The Promise of Fulfilment
Coming out in January 8, 2010 - Storms in a Shot Glass - Eirelander Publishing
Aasiyah Qamar/Nolwynn Ardennes - Romance the world over
http://www.aasiyah-nolwynn.webs.com/
Monday, April 20, 2009
With Love, from Ms. Blush
Hello to you all wonderful, beautiful people!
Once again, we're taking a closer look at logic. Last week we broached the overall arc of sense and sensibility. T.J. and Z(Aasiyah/Nolwynn) both went over the need for logic in the story, most precisely where the myths and the conventions of the genre is concerned.
This week, we're concerned more with sensibility. Yup, how sensible are you characters? How do they react? And more importatnt, how should they act?
Catch T.J. on Tuesday as she tells us more about the emotional logic behind your archetype. Yes, there is sense in there - catch her post and you'll see it.
On Thursday, Z will again bring her take on the matter. What is logical and what's not where emotions are concerned?
And, don't miss this one, for you're bound to be lol after reading it. Diana Castilleja is penning her opinion for us on Wednesday, on the topic of Logic. But, heck, logic and she are not acquainted! So how does the writer in her do it then?
Don't forget: This April, we're delving deep into the recesses of the true writing craft.
This April, we're on the quest:
Searching for the logic that actually makes sense...
The best of us for the best of you, that's our promise as we deliver the full flush of romance.
From now till later, enjoy!
With love, from Ms. Blush
Once again, we're taking a closer look at logic. Last week we broached the overall arc of sense and sensibility. T.J. and Z(Aasiyah/Nolwynn) both went over the need for logic in the story, most precisely where the myths and the conventions of the genre is concerned.
This week, we're concerned more with sensibility. Yup, how sensible are you characters? How do they react? And more importatnt, how should they act?
Catch T.J. on Tuesday as she tells us more about the emotional logic behind your archetype. Yes, there is sense in there - catch her post and you'll see it.
On Thursday, Z will again bring her take on the matter. What is logical and what's not where emotions are concerned?
And, don't miss this one, for you're bound to be lol after reading it. Diana Castilleja is penning her opinion for us on Wednesday, on the topic of Logic. But, heck, logic and she are not acquainted! So how does the writer in her do it then?
Don't forget: This April, we're delving deep into the recesses of the true writing craft.
This April, we're on the quest:
Searching for the logic that actually makes sense...
The best of us for the best of you, that's our promise as we deliver the full flush of romance.
From now till later, enjoy!
With love, from Ms. Blush
Subscribe to:
Posts (Atom)
Posts
.jpg)
.jpg)
